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Thursday, September 17, 2009

ILL ALUMINUM TUNES: John Wiese's "Circle Snare"


John Wiese
Circle Snare
(No Fun Productions)

By RAYMOND CUMMINGS

That John Wiese and his sample fetish, right? You know?

The California-based noise laptopper's last couple - or couple dozen, same difference - recordings have involved warpings and manglings, severe and and less so, of others' already malign sonics. Cincinatti, conceived and recorded with Burning Star Core atmospherist C. Spencer Yeh and released earlier this year, delved into self-sampling-as-aesthetic. But Circle Snare (No Fun), where Wiese built compositions from recordings of "tape, electronics, drum machine, microphone, [and] MSP" is a more slippery, stripped-down affair.

At moments, listening to this, I thought of the sounds of a metal lid being twisted off of a peanut bottle, then back on, then back off, and of barehanded mountain climbers painstakingly ascending, slipping down, then scrabbling back up sheer cliff faces; there's a brute circularity to Snare at first, to how and where snaps, crackles, and stark pops fall in the mix as "Circle Snare (First)" begins its uncertain-to-all-outward-appearances advance. Noise "errors" and detritus that would typically be edited out or relegated to the margins is slowly brought to the forefront over a glowering synth substrata. Then the spits and clicks and whirrs actually seem to go on the attack, a revolving, homicidal constellation of minutiae. The remainder of Snare mines more chaos-theory gold from this idea, approaching things slightly different, no-less-intriguing angles, building from meager table scraps to something that eats, ultimately, like a hearty meal.

Monday, September 14, 2009

ILL IMAGINARY PRODUCT: "ESTRADA" SPECS NOT FOR REAL

BY RAYMOND CUMMINGS

As an impressionable young boy - innocent, light of step, totally sold on violence-soaked, prime-time television trash - I watched CHiPs religiously. As with so many other fondly remembered early-to-mid 1980s series (Miami Vice, All In The Family, The Dukes of Hazzard, etc.), I don't actually remember much of anything about the show in terms of dialogue, plots, or what have you; in this instance, all that comes to mind is the iconic intro image of Erik Estrada and whatever white dude was rolling with him riding their highway patrol cycles against an open sky. That, and a flurry of scenes where Estrada's squeeze was hit and killed by a car, but her dog survived; it was a fluffly little white dog; Estrada cradling the dog and stuff.

In any event, Erik Estrada isn't dead. Recently, he appeared in a Burger King commercial with NASCAR's Tony Stewart in which he's hawking signature cop shades with "ESTRADA" superimposed on the lenses. Now, these sunglasses don't actually exist, and aren't for sale. It goes without saying that your corner vender of illegal Armani and Gucci knockoffs should be making a killing off of the things - and if you wait a few weeks, he or she just might be - but that's not stopping me from wondering who'd profit from wearing the things if they became available.

ELLEN DEGENERES

She's spunky! She's quirky! She cannot dance, but dances anyway! She's the host of a daytime talk show imfamous for mercilessly short celebrity interviews! For reasons that defy the laws of space and time, she will co-judge American Idol this winter! Ellen should just - as soon as reasonably possible - start wearing "Estrada" specs all the time. When quizzed about them, she should pretend that the questioner asked "Why are you wearing a pancho indoors?" to which the only reasonable response is "I'm not wearing a pancho, this is a frisky work shirt that I'm rocking like a slightly spazzed-out office drone celebrating happy hour."

TONY DANZA

Tony Danza's inexplicable, deathless popularity results in the Who's The Boss? star being accosted and smothered in hugs by dozens of menopausal soccer grandmas everytime he goes to Whole Foods, which is, like, every day. Enough of that bullshit. He needs a disguise!

EDWARD FURLONG

Because a pair of "Estrada" sunglasses could, hypothetically, re-interest the paparrazi class in the doings of Terminator 2 star Edward Furlong.

JA RULE

Ditto. But as I understand it, Ja is a giving fella. Which would mean that the two people in his entourage would also probably receive "Estrada" shades, on him! What a guy. It's MURDA!

Sunday, September 6, 2009

ILL MIXTAPE: STAYCATION JAMS AHEAD OF SCHEDULE


My staycation doesn’t start for another week and a half or so, but I thought I’d hook you up with a bitchin' commemorative online mixtape full of recent faves, like, right now, because I’m good like that.

ONEIDA “What’s Up, Jackal?”

WYE OAK “That I Do”
CAROLINA LIAR “Show Me What I’m Looking For”
HEARTS OF ANIMALS “Maybe”
GUCCI MANE “Gorgeous”
HALFLINGS “Keep Holding Hands”
WHITNEY HOUSTON “Million Dollar Bill”
WHITE SUNS “Exposable Income”

Hear it here.

And, yeah, this site has been quiet of late - I’ve been dealing with some real world issues. Stay tuned.

Friday, September 4, 2009

ILL CH-CH-CH-CHIA: Three People Who Should Get a "Chia Obama" for X-Mas

By RAYMOND CUMMINGS

You've seen - and loathed - those commercials. You've cracked, rightly, that the Chia Obama looks nothing like Barack Obama. And surely - though you can't quite bear to admit it to yourself or anyone else - you've wondered: if I was inclined to actually buy a few of these things, who would I give them to for Christmas?

We've got some ideas.


YOUR OBAMA-ADORING AUNTIE

She's got the "Yes We Can" tote bag, the buttons, the t-shirt(s). She tracked down mp3s of our president's address on race, his acceptance speech, his inauguration speech, and some secretly-recorded audio of the dude joshing with reporters on a plane between campaign stops. Now she can place a ridiculously inaccurate rendering of Hope's grinning herald on her mantle, one that sprouts vegetative folicles.

YOUR STONER HOMIES

They like to talk to themselves, to the carpet, to the dog, to the fireplace, and to the television whenever Maury Povich or Larry King is on, and they like to imagine that those objects respond in kind, taking part in lively, round-robin conversations about which Doritos flavors rule, and which ones are totally bogus, and the plusses and minuses of exoticly-named cannibus strains. Now, because you are thoughtful and know them better than they know themselves, your stoner homies can palaver with the prez - or just convert him into a bong.

JOHN MCCAIN

Gardening's rough when you can't raise your arms above waist-level. With Chia Obama - or a thousand Chia Obamas, perhaps, if you are a financially secure prankster with access to John McCain's mailing address - the 2008 Republican presidential hopeful can tend a literal plot of Hope with very little effort, while vibrating with geriatric loser's rage.


Wednesday, August 19, 2009

ILL PHRASE POLICE PATROL: "It Is What It Is"

By RAYMOND CUMMINGS

When folks - in reflexively surrendering to what they perceive as an unchangeable circumstance or condition - lazily sigh "it it what it is," I cringe. Something toxic washes over me. The situation at hand suddenly feels just that much more hopeless and unsalvagable; any confidence hovering in the room evaporates. Department managers and rappers seem inordinately fond of the phrase, drawn to its dismissive, near-palindromic cool like lemmings to the edge of a yawning ravine. Said with an air of abject resignation, "it is what it is" stands in for "that's life" or "what will be will be" or Sopranos hands-thrown-up staple "whaddya gonna do?" Why not use one of these ancillary phrases, one wonders? Why not invent a new cliché to signal intractability? Why not say "rock meets hard place?" (Nobody ever says that. Which may be for the best.) In any event, "it is what it is" is unacceptable phraseology. and must be destroyed.

Tuesday, August 18, 2009

ILL MUSICAL MADELEINES: Radiohead, "Planet Telex" (c. 1998)

By THOM HAWKINS

The apartment on Gelding Drive. S. makes hot dogs in the microwave. I try to make dinner using a black bean burger. The patty is bland, so I add barbecue sauce. This is too tangy, so I add Frosted Alphabits from S.'s collection of forty boxes of cereal. I reason he can't miss it if I only take a little from each box. I sit down at the black lacquered table and turn on the CD player. Eating takes me five minutes only, but I always start at the beginning of The Bends.

Sitting at his computer in the dining room, S. mocks the opening guitar to "Planet Telex." I counter his behavior by staging a life-size cardboard cut-out of Barbra Streisand next to his computer. Neither of us drinks normal milk. I drink soy and he drinks acidophilus with bifidobacterium.

I also keep a hammer in the refrigerator because there's enough room and I have no other place to put a hammer where I will not lose it. There's a strip mall across the street where my sister works at a health food store next to an Italian cafe. I sit down for ten minutes ... if no one speaks to me, I walk out ... if someone takes my order, I ask for a pound of angel hair with tomato cream sauce. When we leave the apartment in S.'s car, he tunes the radio to a station that plays disco ... we're out of range of the tower, but S. reconstructs the song through the fuzz. All I hear is static.

ILL BUMPER STICKER: "My Other Hatchback Is A Hyperlaureate/Hypertextural Stallion I Ride"

HT: Cecilia Rivas. Anyone got a link for a site where these are for sale? (Have you ever seen one on a car? If so, where and when?)